Posts

Showing posts from 2021

The Brickwork Revealed

Image
  The C onservation work continues at Astley Hall, though currently shrouded in plastic sheeting, as the work progresses under the careful management of “Bullen Conservation” A quick peep through a gap in the plastic shrouding reveals the stucco rendering has been removed revealing the 18 th century brickwork beneath and a chat with one of the craftsmen on site confirms that the brick is laid in English Garden Wall Bond. This pattern of brick work was rarely used outside the North of England and sometimes even used occasionally on garden walls. The Charnock family. had held land in the area since the 12 th century and when their home in Charnock Richard was damaged by fire in the 16 th century they moved to Astley then on the far boundaries of their lands. Locally this pattern was also used on other two properties that would originally have been on the boundaries of the Astley Estate and certainly within the original holdings of the Charnock family. Toy Farm Spout Hous

The 12th Century Charnock Family

Image
  During the 12 th  century the Chernoc’s were one of the important Lancashire families, living in the village of Chernoc to which Richard added his own baptismal name to distinguish it from the nearby Heath Chernoc.  Over the centuries both names changed in spelling to Charnock as until the introduction of Dr Johnson’s dictionary in 1755 spelling was not fixed.  Scribes recording deeds would write them as they heard them, often changes occurred because of local accents. The Chernoc family later moved to Astley Hall. The name Richard or Ricardus, as it was written in the Medieval Latin of these documents, derived via Old French from an early Germanic language and is composed of ‘Ric’ meaning ruler, or king and ‘Hardu’ signifying ’strong or brave’ thus ‘strong ruler’. Several of these documents have been preserved in the Lancashire Archive in Preston and in Oxford’s Bodlieian Library.   One of the most fascinating deeds records the gift of the Chernoc estate ‘in soul alms’ to the Knight

Talk for members of The Friends of Astley Hall

Image
The painting of Charles I and Queen Henrietta Maria with their children is one of the paintings discussed in  the zoom talk free to members of the Friends of Astley Hall.  The speaker will reveal Henrietta Maria's connection with Lancashire and a member of the Brooke family whose cousins lived at Astley Hall. You can join at the Friends by downloading the application form from here  All members will be sent the easy to use  link to join the zoom talk on your computer or tablet You can support the work of the Friends of Astley Hall by making a donation from your phone: Text Astley 1 to 70085 to donate £1 Text Astley 2 to 70085 to donate £2 Text Astley 5 to 70085 to donate £5 or any amount you may choose Thank you so much for your help If you get a 'Network Error' message you may have a block on your account to prevent extra charges.  You will get an offer to pay with your bank card.

The Cromwell Bed

Image
The 'Cromwell Bed' at Astley Hall, said to be where Oliver Cromwell slept after the Battle of Preston in 1648. Oliver Cromwell is reported to have slept off the stress of the Battle of Preston in this rather lovely bed, at Astley Hall in Chorley in 1648, which is now listed at grade I. Apparently Cromwell was so rested from his night of relaxation, he left his boots behind when he got up in the morning! Astley Hall, Astley Park, Chorley, Lancashire. English Heritage. Though its exact origins are unknown, it’s thought that the four-poster bed originated in Austria before migrating to England, where it grew in popularity; the first records and descriptions of four-poster beds date to the late 14 th  or early 15 th centuries. The style began simply: prior to the four-poster version, beds were often no more than a hard board covered in fur or quilts. With this in mind, it’s easy to see why the four-poster bed became the most coveted of luxuries. Canopies were first added to